Friday, December 31, 2010

Robert Kim Reviews Rough Cut of Film

Robert Kim Reviews THE HUMAN WAR from Pirooz Kalayeh on Vimeo.


I spent New Year's night talking to my friend Robert Kim about what he thought of a screening of THE HUMAN WAR. I recorded him right after we finished watching a rough cut of the film on a video chat.

For the rest of you who would like to get a copy or see it at a festival near you, stay tuned! We will be making announcements here on this blog, via e-mail announcements, and on the Sangha Films website.

Thursday, December 23, 2010

Brad Warner: The Enlightenizer - NYC Shoot

We continued our shoot of Brad Warner: The Enlightenizer this past weekend in New York City. It was a really pleasant shoot. We talked about snake oil charmer spiritual salesmen, artistry and Zen, and favorite places to get french fries.


Our second day of shooting took place in Washington Square Park. Well, at least it started there. I wanted a backdrop of the city and Washington Square has always been one of my favorite places to sit alone when I've visited. I also like the "Arch de Triumphe" action. For me, the "Arch" immediately lets me know I'm in the city and that McDonald's golden arches would be much cooler if they looked like this.


Mark Parsia was our producer and camera operator this time around. We used a Panasonic HVX200 and a couple Senheiser wireless lavaliers. Theset-up was simple and easy. No lights were used since we were shooting outside. And, aside from lugging the equipment around the city and how cold it was, everything moved along effortlessly.


Grace Jung came out to help on both days. She even guested as an interviewer and drove Brad and I around as we listened to her John Lennon box set. That was a nice way to spend an afternoon. She only almost crashed twice.


Lancelot Bourne was visiting from South Korea for an art gallery show he had created. He called me the night before to see if he could come and help out. He needed some rest time between takes, but, of course, he was a rock star and made a very early morning shoot after being up all night on a flight.


On the second day, we walked around the city. It was bitter cold. We took a break at midday and went to a diner. Brad found this sign interesting.

"The 134 is painted," he said.


I like these kinds of signs, so I figured I'd take a picture. Maybe it could be a painting in the future.


We went to the East Village on the last day to mimic the Bob Dylan record on Jones Street. I took a pic. I don't know if I got the angle right. Hopefully, there a better pic out there.

Hmmm...I would say the documentary is turning out really good. We shoot in Akron in a month. I'm excited to rock it.

(The picture above is the new thinking man - Sohee in drag!)