Human War on IMDB

The Human War has its own IMDB page now.

Geoffrey Hauschild Photos

Geoffrey Hauschild sent some more photos of the shoot. He is such a talented photographer. I'll just let his photos speak for themselves.

Last Day's Photographs

Gaoffery Hauschild was kind enough to take and send some pics from the last day of shooting. Here are some of his gorgeous photographs.

Update: The film is currently being synced for editing. It looks like March will be the official month for shooting B-Roll.

The Human War Movie: Last Days

My last night in Ohio Avenue was spent on the floor just like I began 44 days ago.

James and I spent the whole day yesterday cleaning. He rocked a shitload of dishes. I was on chachkie duty.

We filmed the potato guns firing in Cortland at Keith McAleer's house. This is one of his sweet puppies with James Roehl. I am pretty sure both were sleeping as I took this picture. I would like to join them when I get on the plane in a couple hours.

Tom and I are pretty ragged in this photo. All I remember is that it was a cold day to stand out in the snow shooting potatoes.

Tom and I constructed a mini-set for JIMMY'S POTATO GUN ASSEMBLY VIDEO. I laid out a bunch of random things on the table, including cereal, spoon, saw, hammer, PVC piping, jigsaw, stapler, and a deck of cards. It looks like Tom added donuts to the mix as well. I see a sprinkled one in the picture above.

Lizzie helped me paint the backdrop for JIMMY VISION. It is probably one of my favorite pieces that I got to do.

(Lizzie did the Campbell's soup can. There was no way I could draw that well.)

Keith McAleer and Thomas Henwood check out his performance on the EX1.

Our last day of principal photography was filled with little rubies here and there. Jared Greene offered the first jewel by pointing out how light readings were identified on the monitor.

Eugene was a little grease monkey! He really put the Chevy Celebrity back into shape. I couldn't help but laugh as he pulled out a tube from the engine and said, "Um...I'm pretty sure this is supposed to be attached to something."

He was right. By the time I got to see under the hood later in the day, I was more than impressed by the sheer number of zip ties that had been amassed to hold the various degenerating tubes and instruments in place.

"Looks like Frankenstein," I said.

"Yup," James agreed. "Car of Frankenstein."

Joanie Walkoff holds up the tee shirt that Lizzie painted. Talk about amazing? I can't wait for Lizzie to give me my tattoo when I come back to Youngstown for the premiere. I think I'll get all my tattoos from her from now on.

Press for Film and Wrapping Principal Photography

We made Sunday's cover in The Vindicator! Elise Franco wrote a great article. They included five of Geoff Hauschild's amazing photos.

We are now busy cleaning up. We will be back in town in March to shoot some B-roll of the city. I'll put updates here as things move along in the editing room and with distribution.

Stan Boney will be interviewing Noah Cicero about his book and the film on ABC's WYTV channel 33 on Tuesday night.

PK

Days 18-21: Chevy Celebrity Coughs Blood

Uncle Pooch helps us contemplate how badly the Chevy is doing.

"You either got a bad battery or alternator," he nodded to me.

"Yeah," I agreed.

"You probably got a lot more things wrong in this pile a heap too."

"Yeah."

"Well, we might as well get a battery off that Mac in the back. Just make sure you get it back to me."

"That's nice of you, Pooch."

"Well...you want some more?" Pooch holds out a pouch of Redman.

"Okay," I say.

"You ain't getting dizzy yet."

"It's starting to get to me."

Pooch smiles and puts the pouch in his back pocket. I follow two steps behind him.

The Chevy Celebrity stalled nine times on the way to our location in Cortland. At one point, Todd Maki simply rolled down the backroads in reverse because I had to pop the car into drive without stopping to get the thing going.

I have a video of this Matrix-like maneuver. Apparently, they filmed me behind the wheel as well. I was even given a tuba soundtrack with the jokesters put-put-putting the car's sad state in an A cappella fashion: "Bum ba bum Ba bum Ba Bum..."

After the sixth stall on the highway, Todd expressed all our sentiments.

An organic POV of the machine in action. I will have the EUROSPORT insignia forever tattooed in my mind, as I repeatedly tried to honk the horn that did not work on this dinosaur of automobiles.

Days 14-18: Filming at the Oaks and Plaza Donuts

We shot at Plaza Donuts on Belmont today. Here is some of the team: TJ Hellmuth (DP), Thomas Henwood (Co-Director), Kene Holliday (ELIJAH), yours truly, and James Roehl (MARK SWIFT).

Kene gave James some good advice about acting: "Take care of your body and it'll treat you well."

Yesterday we finished up at the Royal Oaks bar. Here is a shot of Joanie Wolkoff (KENDRA) and James Roehl (MARK) hamming it up between takes.

It was definitely a long three days. I heard people talking about how pale I looked. The third week of a production is probably not the best time to do interviews, but I took my funny mustache and pale frame in front of cameras for The Vindicator and 21 WMFJ.

Noah Cicero did much better in the interviews and you can watch out for him on a couple other stations throughout the week.

I finally got to direct a bit more at the Oaks. Since I've been needed on the producer side of things for a majority of locations, it is definitely a treat when Tom and I can switch roles and rock out. That was literally the case when we went through the Open Mic sequence at Crapiokie.

Luckily for us, Youngstown has an incredible talent pool. I don't think there was one bad performance in the bunch. We had a roller skater, some poetry, a freestyler (our own John Vinson), and a special guest appearance from the vocalist of Gil Mantera's Party Dream.

Richie is an amazing performer. I could even see him acting in films if he wanted. He is a natural.

Noah and Kene were two peas in a pod. It was good to see them laughing together outside Plaza Donuts.

Kene directed me before we started the day yesterday. "Get a picture of this for my wife," he told me. "Yeah," he continued. "Get in front of the car. Right there! Yes! Yes! Okay. Now you keep doing what you do. Spread that around. Okay! Ready? How does that look? Oh, you got the trees in there and everything! Look at that! That's what I'm talking about."

We had Kene move through the forests to represent his characters interest in natural scenery over a life with human beings. I watched Kene come alive in each take - even taking a tree branch as a prop and extending the branches through his fingers to check the blossoms like he had been living in the woods for his entire life. Kene is definitely an amazing talent. It was a pleasure to see him work and offer bits of wisdom throughout the day.

My favorite moment was when one war veteran at Plaza Donuts heard Kene's performance and told him he agreed with that character's thoughts on war.

"You know," the spectator said. "I fought in Vietnam and I agree with everything you're saying."

"Well," Kene replied with a knowing wink to me, "That's why we're making the movie."

Here is Richie from Gil Mantera's Party Dream letting loose in a spontaneous improv that ended with him asking the audience to embrace the future; "It's only two minutes from now!"

James Roehl has offered the world an incredible performance. I am very excited for his career and the work he will do with each subsequent film in his career.

"You're going to do fine," Kene agreed with me last night at dinner. "Yes, you are going to do very well."

"Thank you," James said in his natural humble way.

I looked at Tom. It was a proud moment. We had started this journey a year and a half ago. It had taken us hours and hours of work. Now with one actor's career being anointed by another, we could see one of the many proud moments of directing an independent film.

I could keep doing this my entire life.