Robert Kim Reviews Rough Cut of Film

Robert Kim Reviews THE HUMAN WAR from Pirooz Kalayeh on Vimeo.

I spent New Year's night talking to my friend Robert Kim about what he thought of a screening of THE HUMAN WAR. I recorded him right after we finished watching a rough cut of the film on a video chat.

For the rest of you who would like to get a copy or see it at a festival near you, stay tuned! We will be making announcements here on this blog, via e-mail announcements, and on the Sangha Films website.

Brad Warner: The Enlightenizer - NYC Shoot

We continued our shoot of Brad Warner: The Enlightenizer this past weekend in New York City. It was a really pleasant shoot. We talked about snake oil charmer spiritual salesmen, artistry and Zen, and favorite places to get french fries.

Our second day of shooting took place in Washington Square Park. Well, at least it started there. I wanted a backdrop of the city and Washington Square has always been one of my favorite places to sit alone when I've visited. I also like the "Arch de Triumphe" action. For me, the "Arch" immediately lets me know I'm in the city and that McDonald's golden arches would be much cooler if they looked like this.

Mark Parsia was our producer and camera operator this time around. We used a Panasonic HVX200 and a couple Senheiser wireless lavaliers. Theset-up was simple and easy. No lights were used since we were shooting outside. And, aside from lugging the equipment around the city and how cold it was, everything moved along effortlessly.

Grace Jung came out to help on both days. She even guested as an interviewer and drove Brad and I around as we listened to her John Lennon box set. That was a nice way to spend an afternoon. She only almost crashed twice.

Lancelot Bourne was visiting from South Korea for an art gallery show he had created. He called me the night before to see if he could come and help out. He needed some rest time between takes, but, of course, he was a rock star and made a very early morning shoot after being up all night on a flight.

On the second day, we walked around the city. It was bitter cold. We took a break at midday and went to a diner. Brad found this sign interesting.

"The 134 is painted," he said.

I like these kinds of signs, so I figured I'd take a picture. Maybe it could be a painting in the future.

We went to the East Village on the last day to mimic the Bob Dylan record on Jones Street. I took a pic. I don't know if I got the angle right. Hopefully, there a better pic out there.

Hmmm...I would say the documentary is turning out really good. We shoot in Akron in a month. I'm excited to rock it.

(The picture above is the new thinking man - Sohee in drag!)

Film Updates!

THE HUMAN WAR

We are weeks away from a final cut of the film. We have submitted works in progress to several film festivals already, including Sundance, Slamdance, and Ashland Film Festival. We will be submitting to dozens of other festivals in the coming months.

A theatrical trailer and updated Sangha Films website with relevant content will be up by the end of December. We will have two premieres for the film in Ohio and NYC in March/April. We will have exact dates as the months come closer.

Chat more after Thanksgiving!

PK

Film Festivals Here We Come!

We just finished a 24-hour session - well, more like three-week marathon and a 24-hour session - to get our still work-in-progress film of THE HUMAN WAR passable for a Sundance and Slamdance submission.

Tom and I were chatting on SKYPE and iChat until about 4 a.m. my time. I am not sure what happened after that. I remember putting together a rough press kit and dragging the Adobe Illustrator file to an e-mail. The rest is a bit of a mystery.

I am now here on my living room floor. It is 6:41 a.m.. I feel a sense of elation. I am excited to see what will come of the final edits (including a new ending!) in the coming month as we prepare to go to color correction and an audio mix - the final stages for a feature film.

At this point, I would like to give a special shout out to Gabriel Cassia, our Editor, who sat with me for 11 hours straight yesterday, and did the same a day before with Tom. We truly appreciate your hard work, willingness to sing songs with your three-word Persian vocabulary (in an Italian accent), and bring such a strong ending ("Goodbye Mickey Mouse!") and moody pacing to a film that would only come from such a unique and talented human being.

I would also like to thank Daniel Brothers, our Post Production Supervisor, who not only helped edit when we had no editor, and then helped again while Gabriel was working Fashion Week, but also for all the hard work downloading the huge files, setting up an FTP site and all the other 1,001 roles besides his own during the pre-production, production, and post-production of this film. (Tom only told me how fantastic you were before I met you two years ago. Now as our work on this first feature is coming to a close, I can truly say I am glad to see the brilliance Tom spoke of, and bear witness as you embark on your first feature.) Thank you for your hard work, generosity, and creative spirit.

Another expression of gratitude goes out to Sonny Mishra, our Composer, who was willing to put up with Tom and I as we jumped back and forth between different song choices. You were able to point us towards a possibility, and guide us gently. That gift, along with all the amazing material you have given this film, has made working with you a true joy. Thank you for the encouragement, patience, and hard work. We look forward to the sonic palette you will create on the next film.

It is a little early for Tom and I to thank everyone in the world. We still have a couple months to go before we're officially done. In two months time, we anticipate a unique film that will reflect the wit, terror, melancholy, and bewilderment at play on the day of March 20, 2003 when the Iraq War was declared and Noah Cicero's fantastic novella began. We are under no illusions about the competitive nature of the film festival circuit, and we understand that chances our slim to major festivals, but we are both happy to have had this opportunity to work with so many talented people, succeed and fail at bringing our visions forward, and watch as our ideas become reality.

Now I will try and sleep a bit. Who knows? I might just watch the 20th version of our movie.

Fake Radio Show for Film

Arranging a fake radio show for THE HUMAN WAR. Anyone want to be a fake radio caller to the program and give your opinion on the impending war on March 23, 2003. You'd have to be time sensitive. Just email me at piroozkalayeh[at]gmail.com.

Latest Human War Update!

(James Roehl walks across deserted street in Manhattan)

Some people have been asking for an update, so here's the nitty-gritty. As it stands now, we're rushing to finish a final edit for Sundance submissions in September. If luck will have it, we'll be premiering at the festival this January. Keep your fingers crossed!

In other news, we're hard at work finalizing a final movie poster with comic book artist Jeffrey Brown. Once we have a final version, I'll be sure to give you the first sneak peak.

Stay tuned for photos from New York.

Noah Cicero's Interview on Bookslut

Noah Cicero has an interview on Bookslut. He mentions being weirded out by the movie process and getting lost in New York. His new book, The Insurgent, is out now.